STONKS Prologue: Dual Digital Discourse in the Post-MemeStocks Ledger
by Christine H. Tran and Arun Jacob
How does a meme move? Held in your mouth, is it a verb, a noun, or an adjective? In January 2021, t..
A-Side: Gamer, Gambler, Trader, Troll
By Arun Jacob
Figure 1: Amor Intellectualis Diaboli (Arun Jacob, January 2017)
Introduction: Amor Intellectualis Diaboli
What I ..
C-Side: A Labour of Lulz: Meme STONKing in/as Cultural Work
By Christine H. Tran
I. Stonks in Here
Among Twitter users, a text meme persists about “the main character of the day” and how you d..
Metaphors as meaning and method in networked life and digital culture – Association of Internet Researchers (AoIR, 2020)
AoIR 2020 feature image. Artist unknown. https://aoir.org/aoir2020/cfp/ Visual description: Two humanoid hands reaching towards each othe..
Protected: The mouth of the Internet, the eyes of the public: Sexual violence survivorship in an economy of visibility
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Stories that Sell
By Elisha Lim
Part I: On social media, Covid-19 narratives eclipse human rights abuses, in Singapore and beyond
I’ve never heard so ..
Heavy Processing Part III — Risking IT: Breaking up with Compulsory Dispossessivity
Heavy Processing for Digital Materials (More Than A Feeling)
Jas Rault & T.L. Cowan
Part III – Risking IT: Breaking up with Compulso..
Heavy Processing Part II — Central Processing Units: Trans- Feminist and Queer Manifestos and the Feminist Data Manifest-No Playlist
Heavy Processing for Digital Materials (More Than A Feeling)
T.L. Cowan & Jas Rault
Part II: Central Processing Units: Trans- Feminist..
Heavy Processing Part I — Lesbian Processing
Heavy Processing for Digital Materials (More Than A Feeling)
Jas Rault & T.L. Cowan
Part I: Lesbian Processing
(See Part II Centra..
Tricks of Transparency in Colonial Modernity
Jasmine Rault
Justin Trudeau has fashioned himself the Truth and Reconciliation Prime Minister of Canada, promising to “deliver the fai..