Protected: Gamer, Gambler, Trader, Troll
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Protected: C-Side: A Labour of Lulz: Meme STONKing in/as Cultural Work
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Disturbance in the Boundary Layer: An Ecological Approach to Digital Cultural Recuperation
By Haley Bryant
Credit: “Moss (3D Scan RAW MESH)” by 3D scan studio “iris” is licensed under Creative Commons Attribution-NonCommercia..
Metaphors as meaning and method in networked life and digital culture – Association of Internet Researchers (AoIR, 2020)
AoIR 2020 feature image. Artist unknown. https://aoir.org/aoir2020/cfp/ Visual description: Two humanoid hands reaching towards each othe..
Desi Butch: Lines on a Page
This essay was originally published on The Cabaret Commons, as part of the “Process Posts” Series. See: http://www.cabaretcommons.org/desi..
The mouth of the Internet, the eyes of the public: Sexual violence survivorship in an economy of visibility
By Nelanthi Hewa
Part I: Miller & Sulkowicz
On June 3, 2016, a court statement was published by BuzzFeed titled “Here’s the Powerful..
Stories that Sell
By Elisha Lim
Part I: On social media, Covid-19 narratives eclipse human rights abuses, in Singapore and beyond
I’ve never heard so ..
Heavy Processing Part III — Risking IT: Breaking up with Compulsory Dispossessivity
Heavy Processing for Digital Materials (More Than A Feeling)
Jas Rault & T.L. Cowan
Part III – Risking IT: Breaking up with Compulso..
Heavy Processing Part II — Central Processing Units: Trans- Feminist and Queer Manifestos and the Feminist Data Manifest-No Playlist
Heavy Processing for Digital Materials (More Than A Feeling)
T.L. Cowan & Jas Rault
Part II: Central Processing Units: Trans- Feminist..
Heavy Processing Part I — Lesbian Processing
Heavy Processing for Digital Materials (More Than A Feeling)
Jas Rault & T.L. Cowan
Part I: Lesbian Processing
(See Part II Centra..